Colin Paul

 Rare And Unusual Child'S Thonet # 14 Bentwood Chair With Caned Seat Retaining Original New York City Thonet Label


This is a rare and unusual child's version of the classic ( and Thonet's most famous design ) #14 bentwood chair. Still exhibiting the late 19th Century New York City Thonet label on the underside, this chair design is in the MOMA and other design museums throughout the world, and is in great condition, retaining it's original finish, although I believe the caning is not the original and was likely replaced 30 or 40 years ago.
Height : 24 inches
Width : 12 inches
Depth : 12 inches
The No. 14 chair is the most famous chair made by the Thonet chair company. Also known as the bistro chair, it was designed by Michael Thonet and introduced in 1859. [1] It is made using a unique steam-bending technology, known as bentwood, that required years to perfect. With its affordable price and simple design, it became one of the best-selling chairs ever made. Some 50 million No. 14s were sold between 1859 and 1930, and millions more have been sold since. [2]
Thonet’s No. 14 was made of six pieces of steam-bent wood, ten screws, and two nuts. The wooden parts were made by heating beechwood slats to 100 degrees Celsius, pressing them into curved cast-iron molds, and then drying them at around 70 degrees Celsius for 20 hours.[3] The chairs could be mass-produced by unskilled workers and disassembled to save space during transportation, an idea similar to flat pack Ikea furniture.
Later chairs, as illustrated here, were made of eight pieces of wood: two diagonal braces were added between the seat and back, to strengthen this hard-worked joint.
The design was a response to a requirement for cafe-style chairs. The seat was often made of woven cane or palm, because the holes in the seat would let spilt liquid drain off the chair.
Chair No 14, today known as 214, is still produced by Thonet.
[edit]Design classic
The No. 14 chair is widely regarded as a design classic. It earned a gold medal when it was shown at the 1867 World Exposition in Paris. It has been praised by many designers and architects, including Le Corbusier, who said "Never was a better and more elegant design and a more precisely crafted and practical item created." [3]